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Professor finds damaging female stereotypes in Chinese culture's portrayal of divorce

Friday, May 30, 2014

LAWRENCE – In China, where a skyrocketing divorce rate is the focus of national attention and everyday conversation, popular culture offers cautionary tales of middle-aged women undergoing self-improvement campaigns to save their marriage.

But research by Hui Faye Xiao, an assistant professor of East Asian languages and cultures at the University of Kansas, shows that women trying desperately to keep their marriage intact isn’t the reality in China, where more than half of all divorces are initiated by females.

“The mainstream stereotype is that women have to make self-improvements to achieve a better quality of life for everyone in their family, and as this imagined ultimate cure for the current social unrest,” Xiao said. “But, for some women, divorce means a new life, new opportunity and empowerment, but you don’t see much of that in these narratives.”

This spring, Xiao published the book “Family Revolution: Marital Strife in Contemporary Chinese Literature and Visual Culture,” the first book-length study on Chinese divorce narratives.

Xiao began studying the subject a decade ago when she returned to China for research and found everyone, including her parents, absorbed in the megahit television show “Chinese-Style Divorce.”

Xiao watched the show, which centers on a middle-aged woman attempting to save her marriage, with shock, indignation and intellectual curiosity. The series is just one example she provides in her book on recent portrayals of divorce in China.

Depending on gender, age and class, divorce in China produces different narratives, Xiao said. For well-educated and financially secure women, divorce can be a way out of an unhappy marriage. For their husbands, it can be seen as a threat to their masculinity. And, for some less well-paid or even laid-off women, divorce can leave them vulnerable.

In “Chinese Style Divorce,” the female lead was a hard-working and well-respected teacher. She left her job to care for her son, leaving her financially insecure. In the end, the character strives to save her marriage, including self-criticism in front of her husband and his colleagues.

“It suggests that women in unhappy marriages should make every possible effort to improve their gender qualities instead of seeking a divorce,” Xiao said.

For generations China had seen a low divorce rate, in part due to a combination of social policies and a longstanding Confucian tradition emphasizing domestic order and family relationships. 

Over the past three decades, the divorce rate climbed as China enacted major economic and social reforms

Marriage and divorce laws loosened. In the 1980s, couples could separate based on the mutual alienation of feelings. In 2003, employees no longer needed permission from the head of their work unit to get married or divorced.

The following year, 2004, was dubbed “The Year of Divorce” in China. It was also the same year that “Chinese-Style Divorce” aired.

Since the state no longer provides free housing to married couples, a greater degree of privacy, freedom and autonomy exists in the home. However as more emphasis is placed on domestic life, the burden of maintaining it falls largely on women. That shift has caused a resurgence in traditional gender roles, Xiao said.

Contemporary Chinese society emphasizes self-fulfillment and individual identities, but much of the time domestic order comes at the expense of a wife’s emotional, educational and professional fulfillment. Xiao points to women who were laid-off so they could return to the domestic sphere and the emergence of a quasi-concubine system where wealthy businessmen have one “legal wife” and multiple “second wives” living in different housing units.

“The privatization of domestic life is very much dependent on gendered division of labor, which is why you see rampant gender-related issues,” Xiao said.

See more information about Xiao’s book at the University of Washington Press.


New M.A. Program

The Center for East Asian Studies (CEAS) at The University of Kansas is offering a new M.A. program in Contemporary East Asian Studies, beginning in the 2014-2015 academic year. Full-time students with prior East Asian language training will be able to complete the degree within 12 months. For more information about this M.A. program including specific requirements for admission, visit www.ceas.ku.edu/degrees, or contact Ayako Mizumura, Assistant Director of CEAS, by email (ceasma@ku.edu) or call 785-864-1478. You can also download our program flyer (PDF) Please share this information with your friends, colleagues and students! We are looking forward to hearing from you.

KU Works for Kansas: A Free Undergraduate Study Tour of Japan

CEAS conducted a Kakehashi Project-Bridge for Tomorrow study tour to Japan for 23 students from colleges and universities throughout Kansas in summer 2014. The tour, which was funded by the Japan Foundation and led by CEAS members Maggie Childs (core faculty) and Nancy Hope (staff), visited selected sites in Tokyo and Shizuoka June 23rd - July 3rd.  For more about the Project, view the video, the itinerary, or excerpts from participant reports. This fall, the Kansas students will make presentations about Japan at local elementary and secondary schools, while CEAS will host 23 students from Shizuoka University who are visiting KU in early spring as part of their Kakehashi tour of America.  

If you're studying East Asia at KU, don't forget about those scholarship deadlines! Many of the scholarships you may be interested in applying for have an application deadline of February 2! Learn more here: http://ceas.ku.edu/scholarships
RT @ConfuciusInstKU : Join us @JCCCTheSeries on Jan 31 for Chinese New Year: speech contest, culture & children's activities, more: http://t…
Explore KU: The Bells of Mount Oread KU’s Campanile, a 120-foot-tall timepiece that tolls automatically on the hour and quarter-hour, not only sounded in the 2015 New Year at midnight with 12 mighty gongs, but also regularly rings up memories for many Jayhawks – the 277 faculty and students who gave their lives during World War II, the graduates who walk through its doors at commencement, and aspiring students who have strolled through the Lawrence campus. (See http://bit.ly/1xjjwJj). For nearly 60 years, KU’s 53-bell carillon has been tolling the sounds of peace and serenity across Mount Oread since it was installed in June 1955 inside the landmark World War II Memorial Campanile, which was dedicated in 1951. (See http://bit.ly/1BoL9jv) The carillon is also a four-octave musical instrument, which is played with a giant keyboard and foot pedals. University Carillonneur Elizabeth Egber-Berghout (http://bit.ly/14fiBPl), associate professor of carillon and organ, climbs 77 steps up a spiral staircase in the bell tower to perform recitals several times a month.


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